In the words of Nariesta Reviana: “Did I ever want to stop? Yes, but I chose to persist”

Date:

Interviewed by Ryan Rihi

A person is standing indoors in front of a blue wall with the white UN Women logo and the UN emblem. The logo is large and placed high on the wall, making it easy to see. The person is centered in the image and facing the camera. The face is not visible. The person is wearing dark clothing, including a black top and a dark outer layer. The background is plain and uncluttered, with even lighting. The strong contrast between the white logo and the blue wall makes the text clear. The image appears to be taken in an office or official setting linked to UN Women.

Nariesta Reviana poses in front of the UN Women logo at the UN Women Indonesia Office on 29 April 2024. Photo: UN Women/Bintang Aulia

Nariesta Reviana, more commonly known as Tata, has been a National Gender Youth Activist (NGYA) for UN Women Indonesia since 2024. Prior to joining the NGYA, Tata was already active as an advocate on issues of gender and sexual diversity, as well as a holistic security trainer and paralegal. Her activism is rooted in concern over the widespread unmet rights of vulnerable groups, as well as legislation that restricts the rights to expression and assembly.

My entry into this movement (gender equality advocacy) began with a concern for myself. As a member of a vulnerable group, I did not receive any form of support from anyone. I ended up feeling alone, searching for a way to ease that unrest. I came to realize that there are many others experiencing the same struggles. From there, I tried to find a way to raise these issues alongside fellow advocates.

My journey in activism has not been without its challenges. On a personal level, the most common obstacles are pessimism and lack of awareness. From the surrounding environment, it is typically discrimination, as young people under 30 are still often regarded as lacking sufficient experience, and the issues they advocate for are not considered important enough.

As a young person who has spent nearly a decade advocating for these issues, I also feel that the space available for young people is very limited. At the same time, I find it quite disheartening that the young people involved tend to be the same faces over and over again, including those who are no longer young. This has led me to think about regeneration, sustainability and progress within the movement.

In terms of the issues themselves, the greatest risk lies in the matter of safety. Because of the advocacy work I carry out, I have experienced attacks by certain parties that ultimately left me in a state that was far from well, and forced me to cut ties with many people. Even with access to psychological support services, there has been no real progress in addressing all of its lasting effects.

A person is standing indoors and speaking into a handheld microphone. The person is facing slightly to one side, with the face not visible. The person is wearing a black T-shirt with the UN Women logo on the front. One hand holds the microphone close to the mouth, and the other hand is raised, holding a smartphone with the screen facing outward. The background is a bright orange wall with posters or display boards placed behind the person. The posters are mostly purple and white, with text that is not readable in the image. A white chair is partly visible to the side. The setting appears to be a formal or semi-formal event, such as a presentation, discussion, or workshop in an indoor venue.

Nariesta Reviana delivers opening remarks during the youth-led event “Painting for Peace,” organized by NGYA with support from UN Women Indonesia as part of the 16 Days of Activism campaign, on 7 December 2024. Photo: UN Women/Putra Djohan

Did I ever want to stop? Yes, but I chose to persist, because there are still many people who need me, and because I have yet to see a generation of successors who are truly committed to the movement. At the same time, to this day, there are still many gender-diverse individuals who, not infrequently, end up choosing to end their own lives.

A person is seated on the floor indoors, facing the camera. The person is sitting cross-legged on a wooden floor with wide, colorful stripes in shades of yellow, blue, green, and pink. The face is not visible. The person is wearing dark clothing and light-colored shoes. Other people are seated on the floor in the background, slightly out of focus. The person is holding a small square canvas at chest level. The canvas shows a peace symbol divided into three colored sections. The word “PEACE” is written at the top, and the word “LOVE” is written along the side. The setting appears to be a group activity or workshop in an indoor space, with art materials nearby and a calm, organized environment.

Nariesta Reviana holds her artwork at the youth-led event “Painting for Peace,” organized by NGYA with support from UN Women Indonesia as part of the 16 Days of Activism campaign, on 7 December 2024. Photo: UN Women/Putra Djohan.

For that reason, through the movement, I continue to be involved in providing education and capacity-building, offering accompaniment and support, and carrying out advocacy to this day. For a long time, I focused on my work at the grass-roots and national levels. Now, however, I am trying to open a broader network at the regional level. Because we cannot remain at the grass-roots level forever, as the grass-roots also need a push from above.

All this time, no organization and no collective will move forward without good collaboration and trustworthy communication. Young people need to be given space. We must be willing to fail, but at the same time, we must be willing to press forward for the sake of change.”